Permission is herin granted:
- to academic institutions to use these images freely and without further authorization in conjunction with educational activities such as teaching, research, and scholarly publication;
- to academic personnel for creative utilization of these images–including electronic enhancement, modification, manipulation, or combination with other free use images–in conjunction with teaching and learning activities;
- and to libraries and archives to store, display, transmit, and disseminate these images through any appropriate means–including photomechanical and electronic–in support of such bona fide non-profit activities. Web-based dissemination of these images, even if “re-purposed” by removing them from the AICT website and mounting them in other contexts, is specifically authorized for educational institutions.
Because it is AICT‘s goal to offer teachers and students absolute freedom to use these image resources in any application that is both educational in intent and non-commercial in nature, users may download image files from the AICT website pages, or may link directly to individual image files on this site. There is no requirement that AICT images so used be password protected, encrypted, or otherwise gated. AICT images may be incorporated into resource sharing projects with affiliated campuses and consortium partner institutions. Authorization is also specifically granted to educational institutions to make derivative copies available to their affiliated personnel, including students.
While identification of derivative copies with the source note “AICT/Allan T. Kohl” would be appreciated, omission of such credit does not invalidate the general permissions given above.
Please respect the integrity of this educational resource by refraining from any use of these images that is not truly educational and non-commercial in nature. All commercial rights pertaining to the utilization, publication, or distribution of these images for profit or revenue generation (including institutional development and promotional activities, as opposed to curricular support) are reserved by the copyright holder. Commercial publishers and producers wishing to make use of AICT images should contact the author about specific licensing conditions.
Conditions: Europeana is the digital platform for European cultural heritage. Many of the images have no use restrictions on them and are free to use for any purpose. To search for these, tick the Free Re-use box on the left side of the search filters.
The re-use conditions for free may be affected by the copyright conditions in your country:
Rights Reserved – Free Access
This rights statement has been RETIRED from use by Europeana and replaced with ‘In Copyright’.
This digital object is protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by the organization giving access to it.
Unless expressly stated otherwise in the licensing conditions, you are free to make any of the acts permitted by your national copyright and related rights act, including browsing, printing and making a copy for your own personal purposes.
All other acts of reproduction and communication to the public are subject to the licensing conditions attached to the digital object.
Conditions: Getting images free from the NMM requires fulfilling certain conditions. They give a 100% academic discount for runs below 1000 editions, as below.
‘Discounts on reproduction fees are available for images used on interior pages of scholarly and not-for-profit publications, see the table below. This discount does not include supply fees. A minimum £50 spend applies per order.’
||DISCOUNT N.B. MINIMUM FEE £50 + VAT
|UP TO 3000
|UP TO 2000
|UP TO 1000
The £50 minimum fee is a cost but the images available for this cost if the conditions are fulfilled makes this offer a bargain. File under ‘nearly free’.
‘Conditions of free images
As long as low resolution files are already available on the Picture Library website:http://images.rmg.co.ukyou can download these files for free under the following conditions:
- Academic Press publications, scholarly journals and self-published family history books with a print or e-book run under 500.
(this does not include front or back cover use which does incur a fee).
- Academic thesis and student essays, which are not being published.
- Free educational lectures or classes.
- Private websites and blogs with a primarily informational purpose.
- Low resolution files are 72 dpi and 800 pixels maximum length.
- A maximum of 15 low resolution images can be used in any single project.
- If you re-print the project at a later date, then a fee would need to be paid for the re-print.
High resolution files are subject to a fee.’
Collection: The Lewis Walpole Library Digital Images Collection (commonly referred to as the “DL”) presents images of visual materials from Library’s collection. The majority of the Library’s world-renowned collection of English caricatures and political satirical prints from the late-seventeenth through the mid-nineteenth centuries are presented in the Digital Image Collection, including works by Gillray, Rowlandson, Woodward, Bunbury, and Newton, among others as well as the Library’s extraordinary collection of works by William Hogarth.
Prints, drawings, and watercolors related to Horace Walpole’s collection and house at Strawberry Hill are also represented, including several extra-illustrated editions of Walpole’s Description of the Villa, once owned by William Bawtree, Richard Bull, Thomas Kirgate, and Walpole himself as well as other volumes formerly in Walpole’s library such as his A Collection of Prints Engraved by Various Persons of Quality, and albums of drawings by his friends Richard Bentley and John Chute, as well as an Album of Drawings with natural history illustrations by Maria Sybilla Merian. Recent additions include selected portraits, including ones by George Vertue, and topographical views, several groups of prints known as the Cries of London (both those by Marcellus Laroon and those by Paul Sandby), and a selection of ephemera: trade cards, advertisements, invitations, and bookplates, ballads and broadsides, and many playbills from Londona and regional British theatres.
As per Yale in general. Free to reproduce if Yale/Lewis Walpole Library holds the copyright. Permission must be sought for material for which Yale does not hold the copyright.
The Royal Netherlands Institute of Southeast Asian and Caribbean Studies (KITLV) has brought in more than 2,400 photos to Wikipedia. Leiden University Libraries (UBL), which manages this photo collection, has made this donation possible together with the Working Group on Special Scientific Libraries (WSWB). Imports of these images in Wikimedia Commons (the “Image Database” of Wikipedia) was done by Special Wikipedian in Residence, Hans Muller. The importance of the donation is the improvement of access to the history of Indonesia and India. The photos may be used in articles in Wikipedia, but are also now easily accessible for research and use in articles, blogs and various other applications.
Due to this donation to the Wikimedia Commons, the historical photos are also available for the public domain. This means that everyone is allowed to use the pictures for free and thus this photo collection has a much more global audience. The worldwide public also has an opportunity to improve and supplement the captions of the photographs when needed.
Conditions: OPenn contains complete sets of high-resolution archival images of cultural heritage material from the collections of its contributing institutions, along with machine-readable descriptive and technical metadata. All materials on OPenn are in the public domain or released under Creative Commons licenses as Free Cultural Works. Please see specific collections and documents for applicable license terms.
The Royal Collection is one of the largest and most important art collections in the world, and one of the last great European royal collections to remain intact. Comprising almost all aspects of the fine and decorative arts and running to more than a million objects, the Collection is a unique and valuable record of the personal tastes of kings and queens over the past 500 years.
Following the execution of Charles I in 1649, the greater part of the King’s magnificent possessions was sold by order of Oliver Cromwell, and the Royal Collection has largely been formed since the Restoration of the Monarchy in 1660.
The Royal Collection is held in trust by The Queen as Sovereign for her successors and the nation. It is not owned by her as a private individual.
Conditions: Images may be free to use upon personal application to the Picture Library detailing the academic project.
Source: Personal communication. Contact the Picture Library via https://www.royalcollection.org.uk/picturelibrary